"On the last day of the world I would want to plant a tree.” — W.S. Merwin
  • Just So

    (4)
    Posted on December 30th, 2009sherryGeneral

    When I was a girl, my parents had around the house a book called Cartoon Cavalcade, which was as you would think a collection of cartoons. Here’s a pretty good, if technical, description of the book from Crooked Timber. Looks like it was published in 1943, two years before I was born.

    It’s an anthology of American cartoons from the 1880’s to the 1940’s: 450 pages worth, plus editorial matter from the early 40’s, providing a historically interesting perspective on all this history.

    You can see how some of this content might puzzle a child, however precocious. And for some reason I was a child who didn’t ask many questions (see below). I think that may have been because sometimes the answers just added to the puzzle. Certainly I was not in danger of having my nose stretched (see below). But I did have two older brothers who would rather tease than eat.

    Anyway, I spent many and many an hour browsing through the Cartoon Cavalcade, trying to figure out the joke in old cartoons about Lenin and Stalin and the evils of the bloated railroad Trusts.

    There were a number of what I suppose you’d call dumb flapper jokes. One showed a sleek young man and a sleek young woman with Art Deco profiles. He asks her, “Do you like Kipling?” She answers, “I don’t know, I’ve never kippled.”

    Obviously I’d never Kippled either and I didn’t discover the meaning of that cartoon until I hit college and learned to treat Kipling with contempt for his White Man’s Burden. Rightly so.

    But then a decade or two after that I had children of my own and discovered the Just So Stories and my estimation of Kipling spung around again. These stories were favorite bedtime fare at our house for years.

    Nothing is ever as black and white as a political cartoon, I guess.

    Do I like Kipling? The answer is yes and no.

    He won the Nobel Prize for Literature in 1907.

    He was born on this day in 1865.

    Here is a short poem from the end of “The Elephant’s Child,” “who was full of ’satiable curtiosity, and that means he asked ever so many questions.”

    I Keep six honest serving-men:
    (They taught me all I knew)
    Their names are What and Where and When
    And How and Why and Who.
    I send them over land and sea,
    I send them east and west;
    But after they have worked for me,
    I give them all a rest.

    I let them rest from nine till five.
    For I am busy then,
    As well as breakfast, lunch, and tea,
    For they are hungry men:
    But different folk have different views:
    I know a person small–
    She keeps ten million serving-men,
    Who get no rest at all!
    She sends ‘em abroad on her own affairs,
    From the second she opens her eyes–
    One million Hows, two million Wheres,
    And seven million Whys!

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4 Responses to “Just So”

  1. it is always an interesting debate of whether or not it is hard to keep liking a writer when you know more about them as a person. i tried to look past that with a book i picked up today at the bookstore. don’t like the author’s politics but i do often like their prose so…

    great post :)

  2. I’ve always admired Kipling’s stories, especially Plain Tales From the Hills — an admiration I share with my brother, who is also the biggest Indophile you will meet. Not too crazy about the poetry, or the cheerleading for British colonialism. But wasn’t “White Man’s Burden” a satire?

  3. I should amend that to say: the stories were the poetry, in my estimation.

    Then Kolokolo Bird said, with a mournful cry, ‘Go to the banks of the great grey-green, greasy Limpopo River, all set about with fever-trees, and find out.’

  4. Dave, that is one of the neatest sentences ever written in English. So I agree. And I agree about the stories and some of the poems —

    An’ the dawn comes up like thunder outer China ‘crost the Bay!

    Would be better without the dialect but hey!

    As for the White Man’s Burden, if it wasn’t satire, it ought to have been. But I don’t remember it’s being presented to me that way back when.

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Sherry Chandler has received professional development funding and a Professional Assistance Award through the Kentucky Arts Council, the state arts agency, supported by state tax dollars and federal funding from the National Endowment for the Arts. Kentucky Arts Council Sherry has also received an Artist Enrichment grant from the Kentucky Foundation for Women. kfw
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