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  • The Southern Belle

    (2)
    Posted on November 8th, 2009sherryHistory

    If, in 1777, Esther Whitley was defeating all the men in a shooting match, and if in 1789, Jenny Wiley was trekking through the wilderness to escape the Shawnee, within the lifetimes of both these women, as early as 1820, women in Kentucky had transformed into a collection of Scarlet O’Haras.

    Here is Richard C. Wade in The Urban Frontier: The Rise of Western Cities 1790-1830 (Univ Chicago Press, 1959):

    The most sheltered group in transmontane cities were the daughters of the rich, whom Mrs. Trollope called “a privileged class.” Carefully guarded by socially sensitive mothers, screened from the world outside from birth, and educated in fashionable schools, they lived well removed from the rest of urban society. Leisure and frivolity increasingly occupied their time. Timothy Flint, himself a representative of the mercantile community, complained of their total uselessness, asserting that they never put “their own lily hands to domestic drudgery” and that they had no higher interests than dressing smartly, reading romances, and playing the piano. . . .

    Nor did this relaxed life end with marriage. Matrimony merely set off new social rounds, with domestics handling the household chores. [pp. 208-209]

    According to Wade, these domestics were more and more often African-American slaves.

    According to Helen Deiss Irvin in Women in Kentucky, Mary Austin Holley, who moved to Lexington from Boston in 1818 when her huband became president of Transylvania University — a move she did not want to make:

    . . .was astonished that local ladies made morning calls in silks and satins. By Boston standards, they overdressed. Like her uncle Moses Austin a critical newcome to Kentucky, Mrs. Holley clearly regarded her new acquaintances as pretentious, dull, perhaps a bit nouveau riche.

    Nor did she care for another new feminine style: reticence and submissiveness. . . . Mrs. Holley found the new reticence boring. . . . “[She] preferred the more forthright manners of the early Republic in which she had been reared.” [pp. 31 -32]

    Mrs. Holley wrote poetry and, according to her biographer Rebecca Smith Lee, read the works of that shocking Swiss intellectual, Madame de Staël. She thought Boston the pinnacle of American intellectual society and had no desire to move to some frontier backwater, to some troubled upstart college run by dour Presbyterians. But her husband thought he could rise above all that. Besides, he was delighted to be courted by none other than Henry Clay.

    He was also beguiled to find paved streets.

    Elizabeth F. Ellet
    , writing her history of Pioneer Women of the West in 1873, also marked the decline:

    The progress of improvement, art, and luxury tends to change the female character so that even a return of the perils of war, the necessity for exertion, would not develop in it the strength which belonged to the matrons who nursed the infancy of the Republic.

    Alas, I think it was all a matter of conspicuous consumption. Where pioneering man needed a sharpshooter wife, plantation man needed a wife who was a mere trifle and a showpiece.
    .

    Possibly related posts:

      Thou bright spot on earth
      Slave state
      What’s in a name?
      Moses Austin
      The plantation wife

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2 Responses to “The Southern Belle”

  1. Interesting. Research for that book of poems?

    Any truth to the rumors re Mrs Holley and Rafinesque?

  2. Well, you know, Mr. H., this is a very friendly Holley biography so no hint of any scandal, except of course that those hard-nosed old Presbyterian opponents of the Holleys’ liberal ways did spread rumors about Mary Holley’s easy virtue. I mean, they socialized on Sunday afternoon, even played music. Decadent to the extreme.

    And yes, research for my book of poems. Thank you for asking.

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Sherry Chandler has received professional development funding and a Professional Assistance Award through the Kentucky Arts Council, the state arts agency, supported by state tax dollars and federal funding from the National Endowment for the Arts. Kentucky Arts Council Sherry has also received an Artist Enrichment grant from the Kentucky Foundation for Women. kfw
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