Sherry Chandler

From Charles Baudelaire, “Three drafts of a preface” to The Flowers of Evil, selected and edited by Marthiel and Jackson Mathews (New Directions, 1955). This selection is from the second draft:

How the artist, by a prescribed series of exercises, can proportionately increase his originality;

How poetry is related to music through prosody, whose roots go deeper into the human soul than any classical theory indicates;

That French poetry possesses a mysterious and unrecognized prosody, like the Latin and English languages;

Why any poet who does not know exactly how many rhymes each word has is incapable of expressing any idea whatever;

That the poetic phrase can imitate (and in this, it is like the art of music and the science of mathematics) a horizontal line, an ascending or descending vertical line; that it can rise straight up to heaven without losing its breath, or go perpendicularly to hell with the velocity of any weight; that it can follow a spiral, describe a parabola, or zigzag, making a series of superimposed angles;

That poetry is like the arts of painting, cooking, and cosmetics in its ability to express every sensation of sweetness or bitterness, beatitude or horror, by coupling a certain noun with a certain adjective, in analogy or contrast;

How by relying on my principles and using the knowledge which I guarantee to teach him in twenty lessons, any man can learn to compose a tragedy that will be no more hooted at than another, or line up a poem long enough to be as dull as any epic known.