Sherry Chandler

From All Quiet on the Western Front :

Between the meadows behind our town there stands a line of old poplars by a stream. They were visible from a great distance, and although they grew on one bank only, we called them the poplar avenue. Even as children we had a great love for them, they drew us vaguely thither, we played truant the whole day by them and listened to their rustling. We sat beneath them on the bank of the stream and let our feet hang in the bright, swift waters. The pure frangrance of the water and the melody of the wind in the poplars held our fancies. We loved them dearly, and the image of those days still makes my heart pause in its beating.

It’s strange that all the memories that come have those two qualities. They are always completely calm, that is predominant in them; and even if they are not really calm, they become so. They are soundless apparitions that speak tome, with looks and gestures silently, without any word—and it is the alarm of their silence that forces me to lay hold of my sleeve and my rifle lest I should abandon myself to the liberation and allurement in which my body would dilate and gently pass away into the still forces that lie behind these things.

They are quiet in this way, because quietness is so unattainable for us now. At the front there is no quietness and the curse of the front reaches so far that we never pass beyond it…

Their stillness is the reason why these memories of former times do not awaken desire so much as sorrow—a vast, inapprehensible melancholy. Once we had such desires—but they return not. They are past, they belong to another world that is gone from us…

…here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong—but they are unattainable, and we know it.

And even if these memories of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amonst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade…

Today we would pass through the scenes of our youth like travellers. We are burnt up by hard facts, like tradesmen, we understand distinctions, and like butchers, necessities. We are no longer untroubled—we are indifferent. We might exist there, but should we really live there?

We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial—I believe we are lost.

—Erich Maria Remarque, All Quiet on the Western Front, trans. A. W. Wheen, (Fawcett Crest paperback, 1975)