Sherry Chandler » 98 & 99

98 & 99

98. Good v. bad poetry. The distinction is not useful. The whole idea assumes a shared set of articulatable values by which to make such a judgment. It assumes, if not the perfect poem, at least the theory of limits, the most perfect poem. How would you proceed to make such a distinction?

99. Those who would excerpt or edit miss the point.

— from Ron Silliman’s The Chinese Notebook

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